Christmas Eve in Miller's Point
This is celebration as a way of life.

There’s Still Tomorrow (‘C’è Ancora Domani’)
This saga of abuse takes its uphill time, but its bittersweet payoff is everything.

From Hilde, with Love (‘In Liebe, Eure Hilde’)
Resolve in the face of evil is a testimony of daring that can never be retold too often.

Ghostlight
Everyone involved is note-perfect.

Megalopolis
Nothing in Francis Ford Coppola's gorgeous schemozzle is content with being clear-cut.

The Substance
The anti-commodification message could not be more brutal in this obliterative body-horror ride.

Bonnard, Pierre & Marthe (‘Bonnard, Pierre et Marthe’)
The partner of a celebrated painter needs every shred of her spirit in this anatomising of their exacting relationship.

Last Summer (‘L’Été Dernier’)
In dissecting a woman’s affair with her teenage stepson, film-maker Catherine Breillat’s intimate gaze is as lacerating as a scalpel.

Thelma
June Squibb as Thelma is a badass to her bones.

Kneecap
The feral energy of writer-director Rich Peppiatt’s debut feature roars at you out of the gate.

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