Ghostlight
Everyone involved is note-perfect.

Megalopolis
Nothing in Francis Ford Coppola's gorgeous schemozzle is content with being clear-cut.

The Substance
The anti-commodification message could not be more brutal in this obliterative body-horror ride.

Bonnard, Pierre & Marthe (‘Bonnard, Pierre et Marthe’)
The partner of a celebrated painter needs every shred of her spirit in this anatomising of their exacting relationship.

Last Summer (‘L’Été Dernier’)
In dissecting a woman’s affair with her teenage stepson, film-maker Catherine Breillat’s intimate gaze is as lacerating as a scalpel.

Thelma
June Squibb as Thelma is a badass to her bones.

Kneecap
The feral energy of writer-director Rich Peppiatt’s debut feature roars at you out of the gate.

I Saw the TV Glow
An addictive TV show redefines reality for two lonely teens in a fantastic passage that’s impossible to define.

Iris and the Men (‘It’s Raining Men’) (‘Iris et les Hommes’)

Longlegs
The more twisted a horror rabbit hole becomes, the more hypnotic it’s perversely likely to be.

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