Writer-director James J. Robinson’s contemplative feature debut turns a penetrating gaze on matters of faith.

A web of generational family secrets is bathed in the poignant light of the past.

Not a drop of suffering is spared in writer-director Michael Sarnoski’s unorthodox take on a legend.

The loneliness of a danger only you can see takes the concept of torment to an airless, ambiguous place.

Director Steven Spielberg delivers all the pay-offs you expect from show-pony cinema.

The crucial drawcard of director Steven Soderbergh’s cat-mouse corker is the full-steam rapport between Ian McKellen and Michaela Coel.

In a century of blended summers, everything old is new, then old, then new all over again for the women of a German family.

Delusion and greed implode with a rollout of bangs when hedonistic fun and games go south.

A blitzkrieg of woo-woo is the ultimate acquired taste.

It’s a major plus point that Jodie Foster is easily the coolest customer in every scene.